Almost A Cure

The Variax 500. 25 guitars in one, and with the aid of a workbench programme, endless variations are available. So basically the only guitar you'd ever need.

You'd think so wouldn't you?

On the one hand, yes, on the other hand........it's another guitar for my collection.

The Variax 500 was introduced in 2002 by Line 6.

The bridge of a Variax electric guitar has an individual piezoelectric pickup for each string. Each of these 6 signals is converted individually to a digital signal in the guitar's electronics. This allows for separate processing of the signals from each string. This allows two technologies that would otherwise be impossible: the modeling of effects caused by one string on the others, and virtually altering the pitch of each individual string, allowing guitarists to switch between different tunings using a pedal or a switch on the guitar.

The result of this is that you can change from one modelled guitar to another. The technology works well, and the actual tone achieved, well the purist might quibble but they're still bloody good.
The models you can access are :
* 1960 Fender Telecaster Custom
* 1968 Fender Telecaster
* 1968 Fender Telecaster Thinline
* 1959 Fender Stratocaster
* 1958 Gibson Les Paul Standard
* 1952 Gibson Les Paul "Goldtop"
* 1961 Gibson Les Paul Custom (3 PU)
* 1956 Gibson Les Paul Junior
* 1976 Gibson Firebird V
* 1955 Gibson Les Paul Special
* 1959 Gretsch 6120
* 1956 Gretsch Silver Jet
* 1968 Rickenbacker 360
* 1966 Rickenbacker 360-12
* 1961 Gibson ES-335
* 1967 Epiphone Casino
* 1957 Gibson ES-175
* 1953 Gibson Super 400
* 1959 Martin D-28
* 1970 Martin D 12-28
* 1967 Martin O-18
* 1966 Guild F212
* 1995 Gibson J-200
* 1935 Dobro Alumilite
* Danelectro 3021
* Coral/Dano Electric Sitar
* Gibson Mastertone Banjo
* 1928 National Style 2 "Tricone"
I can't comment on the vintage tones, but I can say that the range available is amazing and probably makes this the most versatile guitar available.

In a live gigging situation this is the only guitar I need, I can switch from acoustic to electric, smooth jazz to dirty rock.

I only recently bought this guitar, I've been intrigued for years but was worried it might be a gimmick. It was only after seeing a mate playing one, and talking to him about it, I decided to buy one. I've never regretted it, I really wish I'd bought it years ago.

The other inovation with the Variax, is that you can connect it to a computer, and using the workbench software you can adjust and tailor the guitar to your own needs. You can programme body shape, pick ups, volume and tone control etc. The possibillites are ( probably ) endless.

A feature that I really like is you can programme in alternate tunings, again this adds to the stage versatility of the guitar. I've even programmed in a Gretsch barritone guitar and a mandolin!

So with all this at your fingertips there's no need to ever buy another guitar...................yeah right!!

I love this guitar to death, but asking me to stop buying guitars is like asking me to stop breathing.

The guitar itself is a joy to play, nice weight, good action and stable tuning. It does everything it promises to do and I can't recommend it highly enough to the gigging musician, but it won't stop me buying the real versions of the guitars it copies, much to my wife's chagrin :-)

The Most Beautiful Guitar Ever Made...........? The Tao Phaeton

Came across this in my wanderings, a truly unnatainable object of desire.

Here's the official blurb, goes into enough detail for everyone. Check out www.taoguitars.com

This project started out as a cure for a friend & customer who was diagnosed with a very acute form of the G.A.S (Guitar Acquisition Syndrome).
We offered to make him a unique masterpiece that would both calm his illness and at the same time bring us the opportunity to build our dream guitar with a “carte blanche”. The whole idea was to build a hollow jazz – guitar that could handle high volume feedback in a more compact rounded ergonomic body with a solid body style sustain…

With its anthropomorphic visual and its experimental crafting method made it the most exotic vintage guitar in our eyes – some kind of mythical piece of craft, a milestone in Guitar History. This gave us the guiding conceptual direction for our “Phaeton”.
As explained by Lewis Williams in the first 1903 catalog “front and back made in swelled shape by being carved, leaving the layer grain of the wood in the same position as in its natural growth, thus insuring strength, free vibration, and unusual sympathetic resonance” or “special relatedness and agreements of parts”.

In all its forms, car styling aesthetics are obvious here, from the two tone color scheme to the sound – holes bearing air intake visual reference, the whole thing breathing our love for the golden years of American Car Design.
The “Phaeton” name has always been synonymous with class and luxury in the automobile history.
The models from the 30’s & 40’s are the most striking examples with the likes of Cadillac, Chrysler, Cord, Packard…
After several brainstorming sessions, and the drawings that resulted, we could finally take to our workbenches with heart. As mentioned earlier, we decided to build the guitar as were built Orville’s style 03 : hand carved out of two solid slabs of wood, spruce for the top & mahogany for the back ( most of Orville’s were in walnut ).
Here we are embarked on a long and exciting journey,carving the top in this nutshell fashion. The shape of the top’s face that was quite a challenge, as we couldn’t easily work around it with our caliper, we decided to bring the piece to correct thickness using the spotlight technique : reducing differences in color shades by checking the top over a light source. From scraping to the final sanding, this process took us almost 200 hours to complete and a thousand more to finish the whole instrument… putting our love & passion in the slightest details, from the custom made pot buttons, the handmade ebony carbon layered tailpiece to our magnet locked lexan back plates. Every single part was either custom made or at least customized to our standards ( see specs ).

A YEAR AND A HALF LATER

We were finally able to hear the thing ! This was the most emotional moment of all ! The Phaeton’s sound was as bold as was striking its looks, leaning toward Gretsch character but with a real voice of its own, smooth sparkling highs and super tight and rich basses, the tuning – fork – bar design giving amazing sustain. Although the Phaeton comes in a hot jazz drapings, this guitar could also unleash a more rockin’ attitude when pushed, which was really pleasant to us!

One piece Spanish cedar with ebony fingerboard & headstock cap featuring Tao custom fretting : we start with medium jumbo to the twelfth fret, and finish with smaller ones, giving your fingers more space to play up the neck ; our single bar double action “carbon flex” truss rod ensuring neck stability and superior playing comfort.

One piece Honduran mahogany back with 2 pieces alpine spruce top

Gotoh “Stealth” tuners with matching color buttons and custom short brass bushings ; Compton solid brass compensated bridge with custom made height adjustment wheels

Polished “vintage style” CTS pots, WCR push – push pots (client request), 3 way Switchcraft with custom made button & ring, Russian paper in oil caps, polished electro – socket output jack, custom wound Bare Knuckle Pickups featuring our trademark hand made covers

Automotive DuPont colors (Rover, Bolero Red /sandalwood beige), clear

nitro lacquer top coat.

.....................sigh.....................one day, one. day.................

Gretsch/ Fender hybrid 3

Finally for this post, we have the Fenderised version of Bono's Gretsch. Is it a Green Falcon? Irish Falcon?
Anyway, this is the end result. Not as cool as the previous ones, but still a good guitar to have.
Needs a bigsby tho.

Gretsch/ Fender White Chicken

Like the previous photo, this was made as an exhibition piece, but woudn't it be great if it was a general production model. Maybe we should petition Fender/ Gretsch and see if they can make them available, even if only for a limited run.
Based on the White Falcon, this has been christened the White Chicken.
Amazing work.

Now this is what I call guitar porn!

A cross between a Telecaster and a 6120. Looks absolutley amazing. I'm not a huge fan of Telecasters, or Fenders in general, but I would sell my kids to own this guitar. It has a vibe, you know? Even if it sounded crap, it'd be an amazing guitar to have in my collection. Just love how it's managed to capture the look of both guitars.

I beleive this was made just after Fender aquired Gretsch, there were a couple of other variations, pics to come soon of them. Would be great if they made production models of this, and even the other guitars. I'd definatley buy this one!